Crossfade windows allow you to mix consecutive regions together in a conventional audio crossfading. Crossfade curves and crossfade times are the only adjustable parameters. Once these settings are made, they are saved in the Preferences folder until they are changed again.
Emagic Logic Audio Platinum
Emagic Logic Audio Platinum offers new tools, sound effects, and recording offices for music synthesis. You can use it on a sound system track to extend the picture or run your entire blend through the device to widen the blend. Limiter and Adaptive Limiter are available. Limiter delivers the most notable punch possible without overdriving your blend, while Adaptive Limiter adds a subtle shading to give it a vintage sound. SubBass is a sub-symphonious enhancement to Emagic Logic Audio Platinum’s sound signature.
ReWire allows you to stream audio from external software instruments, such as Reason and Rebirth, into Logic’s mixer. This gives you full access and control over Logic’s many effects and mixing tools. Logic Gold and Platinum support the required extensions, which means no more key-disk installations. Pro Tools 24 support will be a welcome addition for those users who have Pro Tools 24 hardware. An audio Environment layer controls the recording, busing, and playback signal paths. It has aux sends and plug-in inserts that are easily accessible. The Audio Configuration window is another feature. This matrix window allows you to edit the signal path routing for all your audio objects, without needing to jump to their respective faders. The Score Window lets users work with traditional music notation when dealing with MIDI information.
Understanding the Environment might seem like decoding the Dead Sea Scrolls from a technical perspective. Configuring the Environment to work with a basic MIDI setup can be quite simple. Once you dive in, the possibilities are endless. The Environment is an elegant and powerful tool that allows you to customize your setup while allowing for high flexibility.
Emagic is clearly targeting the dance market with a new plug-in called DQ, or Dequalificator. It transforms 16-bit audio into something much rawer. DQ allows you to adjust the bit-depth and degree of clipping. However, it doesn’t seem as exciting as other “grungier” software processes such as those that incorporate vinyl emulation.
The window offers editing options such as fade in/out and gains change. Phase inversion, silence, and DC offset removal are also available. The Sequence Parameter Box is located in the upper right corner. Individual MIDI sequences, as well as audio information, can be represented graphically. The MIDI parameters can be modified on the fly and are non-destructive. I have had clients raving about the joys of changing quantization factors in playback in real-time.
It can be confusing and difficult to keep track of fader information. It took me some time to incorporate the unusual automation into my work style. Unexpected fader behavior would sometimes occur. Logic’s automation relies on MIDI controller data so the smoothness required for certain mixing situations is not possible.
It will work fine if your music sounds like a soundtrack to an old Commodore 64 video game. People may be frightened of the learning curve. However, this is to be expected with any program that has as many features as Logic. You can achieve your goal of becoming a power user by spending time learning the intricacies. This will result in increased productivity and creativity. The main transport window has switches that allow you to access Logic’s Cycle mode. This is the program’s loop playback function. Auto drop, which allows you to locate the program’s record punch in the locator, can also be accessed via the switches. You can enter Autodrop and Cycle location points numerically using the keyboard or graphically with the mouse. Other buttons include record/pause, play/rewind/forward, and solo/solo lock.
Logic supports a variety of sync options and includes a Tap Tempo feature that allows you to program real-time tempo parameters. Tempo data can be edited in a variety of ways and are non-MIDI meta-level events. Many feature-rich programs have been created to seamlessly integrate MIDI/digital audio into a multipurpose production program, thanks to the development of digital audio workstations and personal computers.
The Hyper Editor is a powerful graphic editor that can be used to edit drum sequences or controller data. Each data type within MIDI sequences has its own graphic representation that can be modified with different tools via the mouse. Hypersets are custom configurations that can be saved and called up to perform specific tasks.
For example, if you have tools you need for one task in one screenshot, and you want to switch to another screen set to do the same task, you can simply touch a key to quickly switch between them. Screenset is a useful function for those who wish to be more familiar with Logic. OVERVIEWLogic’s MIDI realm offers a 960ppq resolution with impeccable timing. The resolution is excellent, and the timing is even better when Logic is used with Emagic’s Unitor8 MIDI interface. Emagic developed Active MIDI Timing, a proprietary system that moves MIDI data from Logic to the Unitor 8.
The 32 Bit internal signal pathway ensures audio quality is maintained throughout. Additionally, the high-end POW r dithering process produces master-quality results. Logic supports almost unlimited MIDI tracks, with a timing accuracy of 1/3,840 of a single note. Logic Platinum has a wide variety of synchronization options that allow it to connect easily to both digital and analog worlds. Double-clicking on any region will bring up the main editing window, which has extensive editing capabilities. Audio regions can be edited in real-time during sequencer playback, even when performing destructive edits. Zooming down to the sample allows you to view the edit resolution. The region can also be viewed in bars/beats or SMPTE as well as samples and minutes/seconds increments.
Emagic Logic Audio Platinum System Requirements
- Operating System: Windows XP/Vista/7/8/8.1/10
- Hard Disk Space: 100 MB of free space required.
- Memory (RAM): 1 GB of RAM required.
- Processor: Intel Pentium 4 or later.